| Luis Palés Matos | |
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Luis Palés Matos |
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| Born | March 20, 1898 Guayama, Puerto Rico |
| Died | February 23, 1959 |
| Occupation | poet |
| Nationality | Puerto Rican |
| Genres | Afro-Antillano |
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Luis Palés Matos (March 20, 1898-February 23, 1959) was a Puerto Rican poet who is credited with creating the poetry genre known as Afro-Antillano.
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Palés Matos was born in Guayama, Puerto Rico into a family of well known poets which included both his parents, Vicente Palés Anés and Consuelo Matos Vicil and his brothers and sisters, Vicente, Gustavo, Consuelo and Josefa. His family was instrumental in his poetic development and is reflected when at the age of 17 he wrote and published his first book of poetry titled "Azaleas", a collection of his poems. In high school he became the editor of the school's monthly publication "Mehr Licht". His family's financial situation wasn't a good one and he was forced to drop out of high school and earn a living working in various jobs.[1][2]
In 1918, he moved to the town of Fajardo where he worked for El Pueblo, the town's local newspaper. There he met a young lady by the name of Natividad Suliveres and soon married her. Natividad gave birth to a baby boy, but within a year she died. Palés Matos was devastated and expressed his grief in the poem "El palacio en sombras" (The palace in shadows). He moved to San Juan and worked for the daily newspapers, El Mundo and El Imparcial. In San Juan he met and befriended Jose T. de Diego Padró, a fellow poet and together they created a literary movement known as "Diepalismo", a name derived from the combination of their surnames.[1]
In 1926, a local newspaper La Democracia published "Pueblo negro" (Black village), the first known Afro-Antillano poem.[1] This marked the start of a new genre in Latin American literature which blended words from the Afro-Caribbean culture into the Spanish verse of Puerto Rico.[3] These poems were immediately and vitriolically criticized by white, mainstream Puerto Rican intellectuals who viewed black issues as not being noteworthy or appropriate topics for high literature.[3] In 1937, Palés Matos published Tuntún de pasa y grifería (Drumbeats of Kinkiness and Blackness). This collection of poems received an award of recognition from the Puerto Rican Institute of Literature.[4] Palés Matos gained fame with his literary work but, the experience was bittersweet. Though Palés Matos is considered, together with the Afro-Cuban poet Nicolás Guillén, the father of the "Negrismo" movement, he was also criticized by members of the black Puerto Rican community, who considered it an insult to their race that Palés Matos, a white (light-skinned) man, was becoming famous on their account.[1] Nevertheless, black Puerto Rican performers such as Sylvia del Villard and Juan Boria recited Palés Matos's poetry.[5]
Some of Palés Matos' works are:
In 1957, his written work, "Poesías" was acclaimed by the Academy of the Spanish language. Palés Matos was selected by the faculty of the University of Puerto Rico as their conference representative. Palés Matos died of heart failure in San Juan on February 23, 1959.[1][2]
There's a public school in Puerto Rico named after Palés Matos, in the town of Bayamón[6] and a public housing complex in Guayama.[7]